Sunumlar
September 2019: “Sound Archives of Ottoman Music.” Corpus Musicae Ottomanicae Workshop: Archives of Ottoman Music. Orient- Institut Istanbul.
September 2018: “The Early History of Shashmaqom”. International Symposium: Maqom Forum. Shahrisabz, Uzbekistan.
March 2017: “From Timurid Herat to Ottoman Istanbul: Musical Connections”. Conference: Musica e cultura da Herat a Istanbul. Università Ca’Foscari, Venice, Italy.
April 2016: “Masters of Central Asian Music: Tradition & Innovation”. Stanford University, Center for Computer Research in Music & Acoustics (CCRMA).
May 2015: “Cultural Development in Ethnically Diverse Societies”. College of Drama and Music, Khartoum, Sudan.
September 2013: “Modal Suite Forms in 17th Century Maqām Performance:. International Symposium: “Shashmaqam”. National Conservatory, Dushanbe, Tajikistan.
May 2012: “From 12 Maqām to Four Shadd to Shashmaqām: between theory and practice”. Conference: Musical Geographies of Central Asia. SOAS, University of London.
October 2012: “Music and Musicians in 15th Century Afghanistan”. International Symposium: “Falak”. Ministry of Culture, Dushanbe, Tajikistan.
November 2011: “The Emergence of the Shashmaqām Suite Performance Tradition”. International Symposium on Maqām. Weimar, Germany, November 2011.
March 2011: “17th Century Suite Performance of Maqām and Its Ties to the 19th Century Dastgāh of Azerbaijan & Iran”. International Mugham Symposium. Baku, Azerbaijan.
Yayınlar
“Tawārīkh-i Mūsīqīyūn: The ‘Histories of Musicians’ from Herat and Khotan according to a 19th century Chaghatai treatise from Eastern Turkestan”, Revue des Traditions Musicales des Mondes Arabe et Méditerranéen, No. 10 (October, 2016). Études en l’honneur de Jean During. 127-200.
“Maqām traditions of Uzbekistan and Central Asia”. Levin, Theodore, Saida Daukeyeva & Elmira Kechümkulova (Eds.). Music of Central Asia. Bloomington: Indiana University Press 2016. 234-250.
“Music in the Shi’a World”, Amyn Sajoo; Farhad Daftary (Eds.). The Shi’i World: Pathways in Tradition and Modernity. London: I.B Tauris 2015.
with Ted Levin: “Uzbekistan and Tajikistan”. Michael Church (Ed.). The Other Classical Musics: 15 Great Traditions. Londin: Boydell & Brewer 2015. 340-360.
“Music and musicians in 15th century Afghanistan”. Proceedings of the International Symposium “Falak”. Dushanbe: Adib Publishers 2014.
“The development of modal suite forms in 17th century maqām performance” Proceedings of the International Symposium “Shashmaqam”. Dushanbe: Adib Publishers 2014.
“17th century suite performance of maqām and its ties to the 19th century dastgāh of Azerbaijan and Iran”. Proceedings of the International Conference of Mugham, Baku: Ministry of Culture 2011. 160-170.